{"title":"all","description":"","products":[{"product_id":"florian-bachmeier-in-limbo","title":"FLORIAN BACHMEIER: IN LIMBO","description":"\u003cp\u003eFlorian Bachmeier’s color photographs, which were taken in the Ukraine over the past eight years, succeed in making past and present historical processes in Ukraine visible and to describe their psychological and social effects on people and landscapes. He travels intensively all over the country, taking photos in the cities, in the villages and at the front. In the seventh year, an internal political conflict has turned into a merciless proxy war that has cost thousands of lives and spread all over the country in all its effects.\u003c\/p\u003e\n\u003cp\u003eIN LIMBO, describes an apparent state of freezing and, at the same time, permanent uncertainty. The portraits tell of biographies in which the conflict is inscribed visible and invisible. In addition to the heroes’ monuments and the ruins of the last war, the front runs through the landscape. In the end, the only choice left for the people is either to settle in this state or to leave the country, their homeland.\u003c\/p\u003e\n\u003cp\u003eFlorian Bachmeier (* 1974) studied photography at the Escuela de Artes y Oficios (EAO) in Pamplona, Spain, and New History and Contemporary History at the Ludwig Maximilians University in Munich, Germany. As a documentary photographer, he has been working on long-term projects with a focus on Eastern Europe for many years. His photographs have been published in numerous magazines and journals, presented in international exhibitions and received several awards. Bachmeier took photos in Ukraine between 2013 and 2021. A selection of these photographs are now collected in his first photo book.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":46640931176786,"sku":"","price":1400.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_469246fe-3986-4276-a6cf-4b872a1a9735.png?v=1695282851"},{"product_id":"josef-koudelka-ikonar-archival-constellations","title":"JOSEF KOUDELKA: IKONAR","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eKey works and previously unseen images from the archives of the great humanist photographer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Ikonar\" (\"maker of icons\") is the nickname bestowed on the Czech French photographer Josef Koudelka (born 1938) by a group of Roma he encountered on his travels. The group assigned this name to Koudelka quite aptly; for some time, they had been treating his famous photographs of Roma communities as quasi-religious icons in their places of prayer. \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eJosef Koudelka: Ikonar\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the first survey of the photographer to explore in depth his personal archive: 30,000 35mm contact sheets covering the years from 1960 to 2012.\u003cbr data-mce-fragment=\"1\"\u003eThe catalog is structured around key works from his most important series, including \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eTheatre\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eGypsies\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eInvasion 68: Prague and Exiles\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e. It also includes a section entirely devoted to Koudelka's archive, analyzing its role in his personal and artistic journey, as well as a selection of works from his key books. Altogether, the book addresses some of the central paradoxes of Koudelka's work, life and career: a nomadic life versus an unrelenting focus on collecting and archiving, and a constant revision and reworking of his iconic works versus a \"maximalist\" philosophical agenda.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul class=\"nav nav-tabs\"\u003e\n\u003cli class=\"active\"\u003e\u003ca href=\"https:\/\/www.magnumphotos.com\/shop\/collections\/books\/ikonar-archival-constellations\/#tab-specification\" data-toggle=\"tab\"\u003eSpecification\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"tab-content\"\u003e\n\u003cdiv class=\"tab-pane fade in active\" id=\"tab-specification\"\u003e\n\u003cdiv class=\"tab-content-box\"\u003e\n\u003cul\u003e\n\u003cli\u003eFirst Edition\u003c\/li\u003e\n\u003cli\u003ePublisher: Spector Books\u003c\/li\u003e\n\u003cli\u003ePublication Year: 2022\u003c\/li\u003e\n\u003cli\u003eFormat: Hardcover\u003c\/li\u003e\n\u003cli\u003ePages: 264\u003c\/li\u003e\n\u003cli\u003eSize: 9.4 x 13 inches (240 x 330 mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47008197607762,"sku":"1","price":1200.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/5C47C974-1028-4B23-B8A8-CD2442B3FD56.jpg?v=1694716876"},{"product_id":"masahisa-fukase-ravens","title":"MASAHISA FUKASE: RAVENS","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Ravens\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis one of the defining bodies of work in the history of photography and a high point in the photo book genre. This accumulation of accolades, and the passing of time, have obscured much of the fascinating detail which explains the artist’s pre-occupation with this motif throughout his work. It was not simply a reflection of the existential angst and anhedonia he suffered throughout his life but manifested in artistic self-identification with the raven and ultimately spiralled into a solitary existence and artistic practice on the edge of madness. And all this before an untimely accident in 1992, a fall down the stairs of his favourite bar, resulted in him spending the final twenty years before his death with his consciousness suspended and in medical isolation. Fukase became the singular raven frozen by his camera and immortalized on the cover of his most famous book.\"\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e– \u003c\/span\u003eTomo Kosuga from his essay\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eCries of Solitude\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e[2017]\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConsistently proclaimed as one of the most important photobooks in the history of the medium,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eRavens\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eby Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo Kosuga. His essay locates Ravens in Fukase’s wider work and life, and is illustrated with numerous recently discovered photographs and drawings.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47008208617810,"sku":"1","price":2000.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_74b03c9c-2344-4b4d-b90d-f88dfda31d6a.png?v=1695194789"},{"product_id":"josef-koudelka-cikani","title":"JOSEF KOUDELKA: CIKANI","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOne of the seminal photoessays of the 20th Century, Magnum photographer \u003c\/span\u003e\u003ca href=\"https:\/\/www.magnumphotos.com\/photographer\/josef-koudelka\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.magnumphotos.com\/photographer\/josef-koudelka\/\"\u003eJosef Koudelka’s \u003c\/a\u003e\u003ci data-mce-fragment=\"1\"\u003eGypsies \u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eoffers an unparalleled insight into the everyday lives of Europe’s Roma communities. Carrying only his equipment, a rucksack and sleeping bag, Koudelka moved freely between different villages and encampments during the Sixties and early Seventies, sleeping outside and spending his days immersed in recording the individuals he encountered. Akin to the communities he was photographing, Koudelka’s life during this period was characterized by displacement and alienation. It was undoubtedly his affinity with these people’s way of life that both drove him to photograph them and enabled Koudelka to capture the intimacies and intricacies of their existence to such an unprecedented degree.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47008225460562,"sku":"","price":1500.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_dcc60354-b5bd-4c71-8437-d8d4d1acd4ea.png?v=1695195059"},{"product_id":"nature-boy-brad-rimmer-signed","title":"BRAD RIMMER: NATURE BOY (SIGNED)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eNature Boy \u003c\/em\u003eis a sequel to Australian photographer Brad Rimmer’s monograph \u003cem data-mce-fragment=\"1\"\u003eSilence\u003c\/em\u003e (2009). Probing at the essence of rural Australia and the emotional impact of the natural landscape upon individual psyches. Rimmer this time adds stories to the compendium. The raw, yet poetic narratives conjure the late adolescent years of a lad wrestling with whether to stay or leave his remote country homeland for the lure of the city and so much more. A coming-of-age account the elegant mix of observation and heartfelt reminiscence are almost autobiographical, and hint to the nascent sensibilities of the young Rimmer as an artist.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eNature Boy \u003c\/em\u003eis a story about the ordinary; failing high school, the romance and fantasy of falling in love with almost every girl I knew and the sadness of never giving too much away in the pursuit of it. It’s a narrative about the past and its recurrence in the present. Normality is never far away; it’s a narrative that plays out over and over again in a small town.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIt was 1981; I was nineteen, in limbo between teenage and adulthood, in youth and boredom drawn to the heady mix of cars and speed, sport and alcohol, any of life’s extremes that presented themselves. That year changed me.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eYou cannot be untouched by a landscape of absence. I was working on the wheat bins in the north-eastern wheatbelt. An unforgiving land of Mallee and Eucalyptus woodlands and red earth on the edge the grain belt. Where decades of over cropping and droughts create struggle that changes people, mentally and physically.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47008242598226,"sku":"","price":1500.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/54633779-CFBE-47D5-81AA-0B9D82C0320C.png?v=1695194979"},{"product_id":"daido-moriyama-a-retrospective","title":"DAIDO MORIYAMA:  A RETROSPECTIVE","description":"This book features more than 250 chronologically arranged images that reveal his constantly evolving career: his early editorial work of the mid-1960s, focused on the American occupation and the experimental theater; his radical experimentation of late 1960s and the 1970s; the self-reflexive photos of the 1980s and 1990s; and his ongoing exploration of cities, among other relevant moments. It also includes more than 400 spread reproductions of Moriyama’s rarely seen publications, mapping the sources of his visual production.\u003cbr data-mce-fragment=\"1\"\u003e⠀\u003cbr data-mce-fragment=\"1\"\u003e288 pages\u003cbr data-mce-fragment=\"1\"\u003e21 x 25.5 cm\u003cbr data-mce-fragment=\"1\"\u003e1257 gr.","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47009764999506,"sku":"","price":1300.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/IMG_5358.webp?v=1694754663"},{"product_id":"stanley-greene-open-wound-chechnya-1994-2003","title":"STANLEY GREENE - OPEN WOUND: CHECHNYA 1994-2003","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe collapse of Russian communism in 1991 resounded to the shudder of an empire. It also sounded the death knell of the small, impoverished, forgotten land-locked state of Chechnya in the Caucasus, which had the misfortune to be of geopolitical importance.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eChechnya, whose population is mainly Muslim, reiterated its desire to become an independent state as it had already done 150 years earlier. In 1991, most Chechens were not aware of the economic stakes of oil and they were considered peasants who were just good at throwing clods of earth at the Russian cavalry. Today, they know what to expect.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA “lightning war” was launched against the Chechens in 1994, reducing the capital to a rat-infested pile of rubble. Grozny has become the Dresden of the Caucasus. Subsequently the Spetznatz, a Russian special forces unit, chained murders and kidnappings. No one was spared, neither men, nor women, nor children.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut the Chechens are not resigned. What is left in Grozny, the capital of Chechnya, is a vision of hell in the eyes of the survivors – pictured by Stanley Greene – that seems impossible to contemplate. What do the mothers of the Russian soldiers who have done this to Chechnya feel now about their sons?\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStanley Greene was born in New York in 1949. Twenty years later he was given a camera. \u003cem data-mce-fragment=\"1\"\u003eOpen Wound\u003c\/em\u003e records nine years of the history of the Chechen rebellion through his eyes.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47023631925586,"sku":"","price":1500.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/44C6C593-BF6C-4683-B18B-5C9F87D67D6A.png?v=1695193616"},{"product_id":"jens-olof-lasthein-home-among-black-hills","title":"JENS OLOF LASTHEIN: HOME AMONG BLACK HILLS","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhile growing into one of the biggest European centers of coal and steel, Charleroi in Belgium was populated by migrant workers coming from many countries. Today overgrown slag heaps and closed down steelworks remind of the city’s heyday.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJens Olof Lasthein walks the streets to discover the power and spirit of present-day Charleroi.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e81 color panoramic images • Text by Jens Olof Lasthein, Samir Nya, Manolo Calvo • Text translation: Angela Brewer, Xavier Canonne, Alexander Farnsworth, Lena Gedin, Nadine Kiefer, Jens Olof Lasthein, Darya Robine, Christelle Rousseau, Gillian Wakenhut, Margot Wallard, The Museum of Photography, Seoul • Design and editing: Patric Leo • Co-published with The Museum of Photography, Seoul • Hard cover with dust jacket • 280 x 225 mm • 184 pages • French\/Swedish\/English\/Korean • 2014\u003c\/span\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47023659319634,"sku":"","price":900.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/IMG_2386.jpg?v=1695113264"},{"product_id":"phil-jung-windscreen","title":"PHIL JUNG: WINDSCREEN","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIn Phil Jung’s first monograph,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWindscreen\u003c\/i\u003e, we are positioned to peer through the windows of American cars that have seen better days. Captured on city streets, existing in a space somewhere between public and private, these car interiors are often found decrepit and empty, however each one comes alive through its inanimate details, the idiosyncratic marks of past and present owners, revealing a series of portraits without subjects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eItems both mundane and peculiar—empty packs of Carlton cigarettes, the shattered frame of a digital Van Gogh, a Ouija board planchette—trace the outlines of lives lived but not seen.  Scum, frost, and dead insects, appearing like beautiful color field abstractions, at times prevent us from seeing inside, and then the sudden presence of a disembodied hand makes us wonder if we should be looking at all.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eShot on Kodak 4x5 sheet film and printed with stunning articulation, Jung’s work, in its powerful use of color and composition, stands as an achievement of photographic formalism. But most striking is Jung’s deft and poetic evocation of the American social landscape told through renderings of automotive decay.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47023790817618,"sku":"","price":2000.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/IMG_2400.webp?v=1695116597"},{"product_id":"bertrand-meunier-erased","title":"BERTRAND MEUNIER: ERASED","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"EN\" data-mce-fragment=\"1\"\u003eThrough extensive travels over more than twenty years, Bertrand Meunier, a member of the Tendance Floue collective, has carried out a field study of China as it has experienced galloping growth since the 2000s. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"EN\" data-mce-fragment=\"1\"\u003eThis first monograph is the culmination of a long-term project in China, which began with the \u003cem data-mce-fragment=\"1\"\u003eErased\u003c\/em\u003e series in 1998, focusing on changes in the Chinese peasant and industrial world, followed by \u003cem data-mce-fragment=\"1\"\u003eREC\u003c\/em\u003e on the society of excessive surveillance and recent protests in Hong Kong in 2019. Bertrand Meunier's documentary approach is far removed from current events, and focuses on sociological analysis where information is often outside the frame. The choice of black and white, contrasting tones, and the use of film to bring out the grain and texture of these industrial zones, which oscillate between ghostly gray and charcoal black, testify to a universe that is at once harsh, poetic and tormented, in keeping with his vision of the evolution of Chinese society. He paints an uncompromising picture of China's northeastern regions, where social transformations are exacerbating inequalities. Through his study of this territory in crisis, the photographer questions our future, whether in China or elsewhere.\u003c\/span\u003e\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47023821357394,"sku":"","price":1000.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/IMG_2410.jpg?v=1695117135"},{"product_id":"ian-berry-water","title":"IAN BERRY: WATER","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver the course of 15 years, Magnum photojournalist Ian Berry travelled the globe to document the inextricable links between landscape, life and water. This new book brings together a selection of the resulting images which collectively tell the story of man’s complex relationship with water — at a time when climate change demonstrates just how precariously water and life are intertwined.\u003c\/span\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47023857074514,"sku":"","price":1400.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/IMG_2421.webp?v=1695118142"},{"product_id":"aleksey-myakishev-kolodozero","title":"ALEKSEY MYAKISHEV: KOLODOZERO","description":"\u003cp data-mce-fragment=\"1\"\u003eLooking for the emotions that underpin human society, Aleksey Myakishev photographed this story between 2011 and 2015 in Kolodozero. Immersed in the daily goings-on of a village in north-west Russia, the reader is taken on a journey to a time and location where life is simple yet profound.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47023957246290,"sku":"","price":1000.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/14B99603-7A11-4B6E-A8AE-B1651F3DFE11.png?v=1695119787"},{"product_id":"stig-stasig-retrograd","title":"STIG STASIG: RETROGRAD","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Translation\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"Y2IQFc\" lang=\"en\" data-mce-fragment=\"1\"\u003eFrom the Baltic countries and Ukraine in the west, to Siberia far to the east, Georgia, Armenia and the Caucasus in the south. In the years from 1988 to 1993, photographer Stig Stasig traveled around the Soviet Union and photographed life on streets. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Translation\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"Y2IQFc\" lang=\"en\" data-mce-fragment=\"1\"\u003e“Today’s Russia is a product of its past: the tsarist era, the revolution and the Soviet regime, and not least the chaotic break-up period around 1990. The only way we can hope to understand Russia’s behavior today is to familiarize ourselves with history and the completely different reality that the Russian people are and have been subject to. We have a tendency to try to understand Russia’s and Putin’s actions based on our own perception of freedom and democracy. What seems absurd from our point of view can often be understood very differently when looking at the same problem from the Russian side.” – Stig Stasig\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Translation\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"Y2IQFc\" lang=\"en\" data-mce-fragment=\"1\"\u003eRetrograd contains text by Sergej Lebedev, one of the young promising Russian writers in exile, who in his stories about the present draws threads to the past.\u003c\/span\u003e\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47024028942674,"sku":"","price":1200.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/IMG_2452.jpg?v=1695121376"},{"product_id":"emmanuelle-andrianjafy-nothings-in-vain","title":"EMMANUELLE ANDRIANJAFY: NOTHING'S IN VAIN","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 2011, Malagasy photographer Emmanuelle Andrianjafy arrived in the port city of Dakar, situated on the westernmost African coast, overlooking the Atlantic Ocean.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eNothing’s in Vain\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis Adrianjafy’s response to the experience of uprooting to the Senegalese capital, a city as vibrant as it is disorientating. Embracing the chaos of an unfamiliar world, she takes us on an exploratory journey through a metropolis in constant flux between construction and deconstruction. The sequence of images careens between street scenes, portraits, landscapes, and close-up details, recreating her fluctuating experience of the multiple faces of the city.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47024062005586,"sku":"","price":600.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/IMG_2459.webp?v=1695122430"},{"product_id":"vincenzo-pagliuca-monos","title":"VINCENZO PAGLIUCA: MONOS","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003eOnly in “mónos” do huts and palaces come so close to meaning the same thing. Vincenzo Pagliuca’s book is an architectural B-movie set in the southern Apennines of Italy. The solitary buildings he photographed are simple houses, composed of elementary geometric shapes. Yet some of the rudimentary dwellings look like pastel, miniature pastiches of historical or even avant-garde buildings. They seem to be out of place, formed from architectural elements that often don’t quite fit together. Always photographed from a central perspective and under an overcast sky, they become sculptures of the common man and make us think about how and why people build, live, and think.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVincenzo Pagliuca (*1980) studied economics before turning to photography as an autodidact, eventually attending the master class of Antonio Biasiucci‘s “laboratorio irregolare”. His long-term projects focus primarily on the rural and suburban regions of his native country. Pagliuca‘s work has been exhibited and published internationally. “mónos” is his second book. He lives and works in Brescia.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47024144515410,"sku":"","price":700.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/IMG_2486.jpg?v=1695123565"},{"product_id":"johanna-maria-fritz-daughters-of-magic","title":"JOHANNA-MARIA FRITZ: DAUGHTERS OF MAGIC","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMihaela Minca is the most powerful witch of Romania. \u2029The profession has a tradition in Mihaela’s family, her mother and grandmother were witches already. Today she runs a flourishing international business together with her daughters and her daughter-in-law: From love spells to curses the witches have everything on offer, they receive inquiries from all over the world via the Internet. Nevertheless, magic and predicting the future is not only the profession of these women. They are not a mere business, not a staging. Here, in this Roma family and their closely knit community in Southeastern Europe, magic and mysticism are a natural part of life. The witches’ craft is also an expression of female strength within an everyday culture shaped by men. For “Daughters of Magic” Johanna-Maria Fritz accompanied Mihaela Minca and her family for a year and a half and captured the lives of these modern witches in sensitive, yet powerful images.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the photographer\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eJohanna-Maria Fritz, (*1994), after studying photography at the Ostkreuzschule, she became a junior-member of the OSTKREUZ agency in 2019. 2012–2016 assistent to Daniel Josefsohn, 2017 Inge Morath Award, 2019 Deutscher Friedenspreis für Fotografie, exhibitions nationally and internationally, lives in Berlin (rarely) when she is not on the road (often) and works internationally (almost always).\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47024150839634,"sku":"","price":1000.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/IMG_2491.jpg?v=1695123754"},{"product_id":"vasilii-lefter-once-upon-a-time-in-moldavia","title":"VASILII LEFTER: ONCE UPON A TIME IN MOLDAVIA","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis new photo book(let) series presents analogue photographs and picture archives. Intuition, pure chance, odd encounters, and the slow passage of time helped in discovering the images and archives. All of them have their own remarkable stories: the story of the individual photographer, the story of the photographic subject, the story of each archive and its discovery, and not least the visible story of the unavoidable deterioration of analogue photographs, caused by production, use, and storage. All of the images are reproduced unretouched and thus bear the traces of their history, from the depths of their emulsions to their surfaces.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVasilii Lefter | Once upon a time in Moldavia\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe photographs of Vasilii Lefter (1943–1982) were never published during his lifetime. Yet it was always his dream to be taken seriously as a photographer or artist and to have international exhibitions and publications. When his daughter, the artist Tatiana Fiodorova (born in 1976), discovered them, the boxed images had been gathering dust for twenty- five years on the balcony of her parents’ apartment in Chișinău, the capital of Moldavia. Lefter left behind a Kiev camera and countless small-format photographs, negatives, rolls of film, drawings and paintings, and stencils and drawings for the propaganda posters that he had designed and painted as a freelance graphic designer—a position that could not really exist in the Moldavian Soviet Socialist Republic—for the kolkhozes of the region. He gave up his conformist but unsatisfying desk job at the Ministry of Building, where he had been employed since 1970. Lefter was self-taught, his photographs were black and white, and he developed his small-format pictures in his bathroom at home. He spent a large portion of his meager earnings on his passion for photography. He often spent weekends in the countryside around Chișinău, where he photographed the villagers in their gardens, at weddings, in the forest, or in community rooms. Family members posed for his camera, often as couples. Babies and status symbols such as portable radios, which often reappear in his pictures, were often shared by the sitters as props. The often identical clothing bears witness to the uniformity of Communist fashion. Now, thirty-six years after his death and twenty-eight years after the fall of the Iron Curtain, the photographs are being shown for the first time in an international exhibition—the fulfilment of his dream.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47024173187410,"sku":"","price":300.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/IMG_2496.jpg?v=1695124009"},{"product_id":"asahisa-fukase-private-scenes","title":"MASAHISA FUKASE: PRIVATE SCENES","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book brings together, for the first time, the entire \u003cem data-mce-fragment=\"1\"\u003ePrivate Scenes\u003c\/em\u003e photographic series in which we discover a new dimension of the work of Masahisa Fukase, that of the artist struggling with his medium. This singular corpus is made up of images in which the artist inserts himself. The series is made up of two sets: \u003cem data-mce-fragment=\"1\"\u003eLetters from Journeys\u003c\/em\u003e which presents photographs taken in 1989 in different cities around the world (Paris, London, Brussels, Antwerp, etc.), and \u003cem data-mce-fragment=\"1\"\u003ePrivate Scenes '92\u003c\/em\u003e which focuses on his daily life in Tokyo, where now each print is enhanced with color paints, thus becoming a unique work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis final series bears witness to Fukase's questions about his own practice of photography at the end of his life, and the place of the photographer in his work, when subject and object overlap, also evoking the current practice of the selfie. Tomo Kosuga, director of the Masahisa Fukase Archives, and Masako Toda, historian of Japanese photography, explore this work through two essays.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47024188817746,"sku":"","price":1200.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_6.png?v=1695665461"},{"product_id":"masahisa-fukase-masahisa-fukase","title":"MASAHISA FUKASE: MASAHISA FUKASE","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJapanese photographer Masahisa Fukase is among the most radical and original of his generation, famous for \u003cem data-mce-fragment=\"1\"\u003eThe Solitude of Ravens\u003c\/em\u003e, in which these birds of doom, in flocks or alone, blacken the pages cover to cover of his legendary book released in 1986. 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This camera, which reflects and freezes their images, is actually a device for archiving death’. – Masahisa Fukase\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor three generations the Fukase family ran a photography studio in Bifuka, a small provincial town in the northern Japanese province of Hokkaido. In August 1971, at the age of 35, Masahisa Fukase returned home from Tokyo, where he had moved in the 1950s. He realised that the Fukase Photographic Studio, which his younger brother managed, combined with the growing family members, constituted the perfect subject for a series of portraits. Between 1971 and 1989, he returned regularly and used the family studio, the large-format Anthony view camera and the changing family line-up as the basis for the series. True to his style, Fukase often introduced third-party models and humorous elements to juxtapose the ineluctable reality of time passing and the dwindling family group. He continued the series through his father’s death in 1987, up until the closure of the Fukase studio due to bankruptcy in 1989, and the consequential dispersion of the family.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFamily (Kazoku) was released in 1991, and was Fukase’s last book. It begins with a photograph of the family studio and the following 31 images are family portraits made in the studio in chronological order. The book includes an extensive text written by Fukase himself and a modern essay by Tomo Kosuga.\u003c\/span\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47024214704466,"sku":"","price":1200.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/IMG_2513.jpg?v=1695124718"},{"product_id":"paul-graham-a1-the-great-north-road","title":"PAUL GRAHAM - A1: THE GREAT NORTH ROAD","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eA1 – The Great North Road\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e was Paul Graham’s first book, published in 1983. Despite the UK having a vibrant photographic scene at the time, there were only handful of monographic books – Chris Killip and Martin Parr had one each – and no dedicated publishers or distributors. 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Now 40 years old, this book is as much art as it is a historical document of the years of Margaret Thatcher’s government and the UK’s declining industrial base.\u003c\/span\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47024223682898,"sku":"","price":1200.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/IMG_2518.jpg?v=1695124940"},{"product_id":"saul-leiter-retrospektive","title":"SAUL LEITER: RETROSPEKTIVE","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSaul Leiter (1923–2013) has only in recent years finally received his due as one of the great pioneers of color photography. This can perhaps be attributed to the fact that Leiter saw himself for a long time mainly as a painter. After coming to New York in 1946, he exhibited alongside Abstract Expressionists like Willem de Kooning before beginning in the late 1940s to take black and white photographs. Like Robert Frank or Helen Levitt, he found his motifs on the streets of New York, but at the same time was visibly interested in abstraction. Edward Steichen was one of the first to discover Leiter's photography, showing it in the 1950s in two important exhibitions at New York's MoMA. Back then color photography was regarded as \"low art,\" fit only for advertising. Leiter accordingly worked primarily as a fashion photographer, for magazines such as Esquire and Harper's Bazaar. 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His raw, sometimes playful images show the uniquely diverse and human side of \u003cem data-mce-fragment=\"1\"\u003eCabramatta\u003c\/em\u003e, seizing little moments of beauty in everyday life.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eA year in the life of one of Australia’s most vivid multicultural communities, suspended in the amber of Markus Andersen’s lens.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47024274538834,"sku":"","price":1300.0,"currency_code":"CZK","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/EAA8174C-9C94-43E7-B7CF-5EEF4A5DCC47.png?v=1695193894"},{"product_id":"steven-nestor-monte-casino-signed-book-signed-print","title":"STEVEN NESTOR: MONTE CASINO (SIGNED BOOK+SIGNED PRINT)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eMonte Cassino: Con Amore is an exploration by Steven Nestor of the destruction of a small Italian town Monte Cassino and its monastery in the Second World War. Surviving copies of \u003cem data-mce-fragment=\"1\"\u003eThe Illustrated London News\u003c\/em\u003e from 1944 lead Nestor on a journey to discover and record the last remaining traces of the devastation of the town and the Benedictine monastery built on the site of the original Abbey chosen and founded by St Benedict in the 6th century. Blending original material from his research archive alongside his own images, Nestor encourages the viewer to cross into an elusive but violent past. The photographic windows throughout this book look out onto a buried past that continues to inform and shape our present through the fragments that have survived destruction, the passage of time and a human quest to overcome disaster. This is a journey across unremarkable contemporary places and into their dark history: forlorn graffiti semaphores in a space once littered with casualties of battle, a collapsed street sign lies unnoticed on the edge of town and autumn’s mulch burns on the road that snakes its way up to the summit of worship and war.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eNestor’s use of a high-grain photographic film and an old Vrede Box camera transports the viewer back in time to the Italian town of Monte Cassino, the site of a significant and costly WWII battle and the legacy of that conflict. Fragments of images from original copies of \u003cem data-mce-fragment=\"1\"\u003eThe Illustrated London News\u003c\/em\u003e along with sourced prints and negatives from the war and post-war periods are incorporated into this tapestry of destruction and loss. Together they reimpose and recharge often obscured photographic views from the time of the bombardment of Monte Cassino. 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On the morning of July 12, 2006, Hezbollah fighters in southern Lebanon conducted a raid on an Israeli army border outpost, killing three soldiers and taking two others back across the frontier as prisoners. An Israeli army unit that went in pursuit of the attackers instead stumbled into a Hezbollah ambush, resulting in the deaths of five more Israeli soldiers. From that small beginning, a war began that will continue to have ramifications in the Middle East for decades to come.\u003c\/span\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47024302195026,"sku":"","price":900.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/E68D3BB0-572B-4C1F-A171-628C99F1C1E1.png?v=1695193161"},{"product_id":"alexander-chekmenev-lilies","title":"ALEXANDER CHEKMENEV: LILIES","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1999, in the psychiatric clinics of the town of Ovruch in Ukraine, Alexander Chekmenev shoots “Lilies” – the series of gripping black and white portraits. The project that has become the classics of Ukrainian photography, sets an important example of the humanistic approach to people, who don’t fit in the settled boundaries of ‘normality’.\u003c\/span\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47032540430674,"sku":"","price":1000.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_e5301948-38f2-48ea-b60e-e48cc44ea7ba.png?v=1695282465"},{"product_id":"marek-kapler-sbohem-holesovice-fotografie-2017-2023","title":"MAREK KAPLER: SBOHEM HOLEŠOVICE FOTOGRAFIE 2017-2023","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePhotographer MAREK KAPLER has published the book \"SBOHEM HOLEŠOVICE\" at his own expense, featuring a selection of photographs from the years 2016 to 2023.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn 144 pages, you will find 127 black and white photographs, and the book is printed in duplex.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMarek Kapler moved to Holešovice as an eighteen-year-old. He spent his childhood with his parents in Hradčany. Holešovice represented a completely new and unknown world for him with its character and the charm of a working-class neighborhood. His apartment on a small Plynární Street consisted of a single room with a sink, and the toilet was on the shared corridor, with a coal stove in the corner. There was a pub right in the building where garbage collectors and workers would come for their morning coffee, soup, and schnapps. Steam clouds rose from the Holešovice Brewery, where Prague beer was brewed. Marek liked to go to the Holešovice harbor to sketch cargo ships. The four chimneys of the Holešovice Power Plant gave the neighborhood a monumental look of a steel city. He experienced the last year of operation of the Holešovice slaughterhouse, accompanied by a terrible smell that hung over the entire neighborhood in the summer months. Trains were shunted at the Bubny Freight Station. The building that now houses the DOX Gallery used to be a dairy where tanker trucks would arrive in the morning. There were mills and bakeries on Jankovcova Street, as well as various factories, workshops, and warehouses, or just enclosures. He remembers the famous Manina vending machine at the corner of Dělnická and Komunardů, where people from all over Holešovice would come to eat. Many vanished pubs where social life took place. This neighborhood became dear to him; he studied graphics at the Academy of Fine Arts here and spent eight beautiful and intense years. In the 1980s, Holešovice still had the charm of a romantic periphery. Today, they are undergoing rapid transformation, turning from an authentic working-class and industrial neighborhood into a city of soulless offices and wealthy residences. Since his youth, he has moved several times around Prague. After 25 years, he returned to a place he loves and feels somehow connected to – Holešovice.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47032618156370,"sku":"","price":650.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/60518FF1-DD4B-4A33-928C-AE13DBB762D4.png?v=1695282220"},{"product_id":"dana-kyndrova-rusove-russians","title":"DANA KYNDROVÁ: RUSOVE\/RUSSIANS (signed)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe book represents a certain essay on the life of the Russian nation, to which the leading Czech humanist photographer dedicated almost 40 years. It offers a perspective on a nation that has a need for icons, saints, and politics. It reflects the renaissance of Orthodoxy after the rejection of communist ideology, Russian messianism, pathos, and grandeur. The first part of the book is dedicated to the period of the Soviet Union; however, the central part consists of photographs from contemporary Russia, when, after the collapse of the Soviet empire, Russians are once again reclaiming their national self-confidence.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe book contains 230 photographs and detailed captions with explanations of the realities at the end of the book.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47032707023186,"sku":"","price":1200.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_42e29c7a-851d-4eff-a3aa-e3807de6a6ba.png?v=1695283379"},{"product_id":"ruslan-hrushchak-iryna-tsilyk-the-road-beyond","title":"RUSLAN HRUSHCHAK \u0026 IRYNA TSILYK: THE ROAD BEYOND","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003eThe Road Beyond is a book of peace, says photographer Ruslan Hrushchak about his work. The timing of the publication of his pictures and the poems of Iryna Tsilyk creates a stark irony: the unrest in eastern Ukraine, which has gone on for years, has turned into open war. \u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003eHrushchak, born in Ukraine, has been living in Germany for 20 years. Tsilyk lives and works in Kyiv; by juxtaposing their outstanding art they have created a deeply inspiring and moving book of poems and pictures about the people of Ukraine. In depicting culture and human life it captures the tension between the transient and the eternal in a highly visual and poetic way. The meaning of this volume with its carefully selected portraits, photographs and poems transcends time and cultures..\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003eThe map of the hiking trail is quite familiar: a forest, a clearing, a hill, a pit.\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003eYou focus your camera\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003ebut suddenly\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003ethe familiar terrain changes rapidly\u003c\/i\u003e\u003c\/div\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47032729108818,"sku":"","price":1200.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/92AD9A94-C2B0-44F3-AAF1-94131B278E90.png?v=1695283839"},{"product_id":"dima-gavrysh-inshallah","title":"DIMA GAVRYSH: INSHALLAH","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem data-mce-fragment=\"1\"\u003eInshallah\u003c\/em\u003e (›God willing‹ in Arabic) explores the Soviet and American occupations of Afghanistan, and draws on my childhood fantasies that romanticize the military and intertwine with my past and present personal conflicts. As a Ukrainian, who was born and raised in the FSU and residing in the US, this is the second time that I live in a country that is fighting a war in Afghanistan. I create a dark fairytale filled with my fears and dreams, based on my fascination with the army's strength and order, set on the front lines of what has become America's longest running war in history. Mesmerized by the complexity of the Afghan chaos, I strive to better comprehend my personal relationship to these wars: two empires, two mentalities, same battlefield, twelve years apart.\" (Dima Gavrysh).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDima Gavrysh, born in 1978, received his MFA degree from the Rhode Island School of Design in 2012. In 2000 he obtained a degree in cinematography in Kiev, Ukraine. In 2004 his family left for the US. Over the past twelve years Dima has worked as a documentary photographer for the press including The New York Times, AP, and Paris Match and various NGOs. He was embedded with the US military in Afghanistan. \u003cem data-mce-fragment=\"1\"\u003eInshallah\u003c\/em\u003e was selected for Photoquai – 4éme biennale des images du monde in Paris 2013.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47032760500562,"sku":"","price":800.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_fe6b6577-9c68-43e7-810d-98d8b6b9f4f0.png?v=1695284275"},{"product_id":"mark-neville-fancy-pictures","title":"MARK NEVILLE: FANCY PICTURES","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFancy Pictures\u003c\/em\u003e is the first commercially available book on the work of artist \u003ca href=\"https:\/\/steidl.de\/Artists\/Mark-Neville-1113354346.html\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/steidl.de\/Artists\/Mark-Neville-1113354346.html\"\u003eMark Neville\u003c\/a\u003e and surveys twelve years of his practice. Neville normally only disseminates his photo books (free) either to the communities he photographs, or to authorities and government policy makers in order to highlight social issues ranging from PTSD among veterans, to toxic waste disposal. You cannot buy his photo books in the shops.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFancy Pictures\u003c\/em\u003e brings together six of \u003ca href=\"https:\/\/steidl.de\/Artists\/Mark-Neville-1113354346.html\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/steidl.de\/Artists\/Mark-Neville-1113354346.html\"\u003eMark Neville\u003c\/a\u003e’s socially engaged and intensely immersive projects from the last decade. Neville often pictures working communities in a collaborative process intended to be of direct, practical benefit to his subjects. \u003cem data-mce-fragment=\"1\"\u003eThe Port Glasgow Book Project\u003c\/em\u003e (2004) is a book of his social documentary images of the Scottish town. Copies were given directly to all 8000 residents. A second Scottish project involved Neville living and working with the farming community of the Isle of Bute for eighteen months. \u003cem data-mce-fragment=\"1\"\u003eDeeds Not Words\u003c\/em\u003e (2011) focuses on Corby, an English town that suffered serious industrial pollution. Assembling photos and scientific data, he produced a book to be given free to the environmental health services department of each of the 433 local councils in the UK.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47033376866642,"sku":"","price":800.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_1050e159-a881-4347-b784-098d1d956d46.png?v=1695296166"},{"product_id":"stephen-shore-survivors-in-ukraine","title":"STEPHEN SHORE: SURVIVORS IN UKRAINE","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"http:\/\/uk.phaidon.com\/store\/search\/?q=shore\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/uk.phaidon.com\/store\/search\/?q=shore\" target=\"_blank\"\u003eStephen Shore\u003c\/a\u003e’s new book \u003ca href=\"http:\/\/uk.phaidon.com\/store\/photography\/stephen-shore-survivors-in-ukraine-9780714869506\/\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/uk.phaidon.com\/store\/photography\/stephen-shore-survivors-in-ukraine-9780714869506\/\" target=\"_blank\"\u003eSurvivors in Ukraine\u003c\/a\u003e traces a bloodline that the Third Reich once hoped to erase. Shore’s paternal grandfather emigrated from Ukraine to the US in the late nineteenth century. While he had always been aware of his ancestry, it was Stephen’s wife, Ginger Shore, who suggested he look into the lives of Jewish Holocaust survivors still living in that country. “She understood that my work needed to move into a more personal sphere,” the great fine-art photographer explains in his new book.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe should thank Mrs. Shore for her insight, as Stephen’s new collection of work retains the vivid ebullience and masterful composition of his early pictures, while also displaying a remarkably well-calibrated narrative sense and lightness of touch that, in some senses seems quite new. \u003ca href=\"http:\/\/uk.phaidon.com\/store\/photography\/stephen-shore-survivors-in-ukraine-9780714869506\/\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/uk.phaidon.com\/store\/photography\/stephen-shore-survivors-in-ukraine-9780714869506\/\" target=\"_blank\"\u003eSurvivors in Ukraine\u003c\/a\u003e is a remarkably assured work by an artist working at the pinnacle of his abilities.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47033408323922,"sku":"","price":900.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/902F7BAD-590A-4D1C-92B7-D9BFA624789B.png?v=1695296923"},{"product_id":"victor-sergey-kochetov-kochetov","title":"VICTOR \u0026 SERGEY KOCHETOV: KOCHETOV","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"et_pb_module et_pb_wc_description et_pb_wc_description_0 et_pb_bg_layout_light  et_pb_text_align_left\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"et_pb_module_inner\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWas there sex in the USSR? How difficult was it to buy sausage back then? What is Horizontomania? MOKSOP debuts with photobook “KOCHETOV” by father and son Victor and Sergey Kochetov. Victor and Sergey created recognizable ironic style of seeing daily life, bringing “Lurik” photography tradition, popular in Kharkiv, to its aesthetic limits. The book includes photographs taken in 1970-2000.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_with_border et_pb_module et_pb_wc_add_to_cart et_pb_wc_add_to_cart_0 et_pb_fields_label_position_default et_pb_bg_layout_  et_pb_text_align_left\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"et_pb_module_inner\" data-mce-fragment=\"1\"\u003e\u003cform class=\"cart\" action=\"https:\/\/moksop.org\/en\/product\/photobook-kochetov-by-victor-and-sergey-kochetov\/\" method=\"post\" enctype=\"multipart\/form-data\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"quantity\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/form\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47033422119250,"sku":"","price":1500.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_54fa2f1c-5e4d-4981-8ee6-20e4130dfcd0.png?v=1695297189"},{"product_id":"sergey-melnitchenko-schwarzenegger-is-my-idol","title":"SERGEY MELNITCHENKO: SCHWARZENEGGER IS MY IDOL","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"et_pb_module et_pb_wc_description et_pb_wc_description_0 et_pb_bg_layout_light  et_pb_text_align_left\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"et_pb_module_inner\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Schwarzenegger is my idol” is a story of the 1980s-1990s generation raised on Hollywood blockbusters. The series was taken in 2012 by Sergey Melnitchenko, a photographer from Mykolaiv, a city on the South of Ukraine. It features a group of young men, deeply passionate for sports, who are turning their teenage craze into a compass through the suffocating atmosphere of the Post-Soviet provincial town.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_with_border et_pb_module et_pb_wc_add_to_cart et_pb_wc_add_to_cart_0 et_pb_fields_label_position_default et_pb_bg_layout_  et_pb_text_align_left\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"et_pb_module_inner\" data-mce-fragment=\"1\"\u003e\u003cform class=\"cart\" action=\"https:\/\/moksop.org\/en\/product\/photobook-schwarzenegger-is-my-idol-by-sergey-melnitchenko\/\" method=\"post\" enctype=\"multipart\/form-data\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"quantity\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/form\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47033468617042,"sku":"","price":600.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_41d1066f-58a8-456c-931c-0c66f6c00b65.png?v=1695298146"},{"product_id":"raymond-meeks-ciprian-honey-cathedral","title":"RAYMOND MEEKS: CIPRIAN HONEY CATHEDRAL","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRaymond Meeks is renowned for his use of photography and the book form to poetically distill the liminal junctures of vision, consciousness and comprehension. In \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eciprian honey cathedral\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, he brings this scrutiny close to home, delicately probing at the legibility of our material surroundings and the people closest to us.  \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMeeks has long been fascinated by the way we construct the world around us; how we carry our possessions, these accumulated comforts, inheritances, markers of material success; how we adorn homes with trees and shrubs, a mantle clock to count the hours. Stumbling across an abandoned house or unkempt lawn becomes a search for common clues to tiny hidden transgressions.  \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis question of knowledge and understanding is perhaps most drastic in our solipsistic reality. Meeks also photographed his partner, Adrianna Ault, in the early mornings before she awoke, on the threshold at which daily domestic life converges with the deepest state of sleep. This plight of supine trance is a place of reprieve beneath the surface of consciousness, free from the chaos and uncertainty of the sentient world above, and alludes to the veiled threat that, ultimately, we are utterly unknowable to one another.\u003c\/span\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47033549816146,"sku":"","price":3100.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_116693fa-67f3-428c-84d6-1b91331fda3e.png?v=1695299593"},{"product_id":"witol-krassowski-sackcloth-and-ashes","title":"WITOLD KRASSOWSKI: SACKCLOTH AND ASHES","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSackcloth and Ashes \u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eis the result of a lifetime of work by Polish photographer Witold Krassowski. Although he has photographed major historic and political events which have helped shape societies across the world, he has always been drawn to photographing ordinary lives  - his best-known images are the ones he took during the transformation of his native Poland following the end of communism in 1989. The disparate locations and subjects of Krassowski’s work are unified by his choice to focus on the lives of common citizens rather than the elite or political entities.\u003c\/span\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47037732192594,"sku":"","price":1300.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/914C8B25-1DF2-4649-9313-B4365542B5A7.png?v=1695375994"},{"product_id":"thomas-hoepker-italia","title":"THOMAS HOEPKER: ITALIA","description":"\u003cspan data-mce-fragment=\"1\"\u003eItaly of the late 1950s comes to life again in the neorealist as well as humanist street photographs of Magnum legend Thomas Hoepker. The beginning of a unique photographic career is now being published for the first time in a photo book by the Buchkunst Berlin publishing house!\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA summer book for all explorers, Italy lovers and photography enthusiasts!\u003c\/span\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47037794517330,"sku":"","price":1000.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_d7370e68-1ad2-4cc7-bf08-2534f32f9904.png?v=1695376137"},{"product_id":"olena-morozova-granny","title":"OLENA MOROZOVA: GRANNY (signed and numbered)","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe main theme of the book – dementia – is a serious social problem in our society and it is important to pay attention to it, as people in this condition require special support.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book also reveals other aspects of our lives: family relations, intergenerational bonds and the unique identity of women.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt’s about the Woman who had the courage in the Soviet era to lead a feminist way of life. This became an important part of the book.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAs the author of this project, I want to tell, without amplification, an outstanding story of the life of my grandmother and share my personal and unique experience of communicating with her.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eThe book includes unique pictures from the archives of my grandmother from the 30s-80s of the twentieth century. Some of them were handmade by my grandmother because she was fascinated by photography. I have recorded stories from my granny’s life, which she recounted to me when she was ill. The texts are in their original language (Russian-Ukrainian Surzhyk) and translated into English.\u003c\/span\u003e\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47039012405586,"sku":"","price":1500.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_f9beca37-1f80-46dc-b44f-143b141ae742.png?v=1695392642"},{"product_id":"yelena-yemchuk-odesa-second-edition","title":"YELENA YEMCHUK: ODESA (second edition)","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs a child growing up in Kyiv, Yelena Yemchuk was fascinated by the reputation of Odesa as a free place during Soviet times. The city seemed full of contradictions — \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e'acceptance but also danger. A place of jokes and characters, populated by outlaws and intellectuals.\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e' She first visited Odesa in 2003 and returned in 2015 to begin to photograph the city and its inhabitants over a period of four years. This book is Yemchuk’s visual ode to the city.\u003c\/span\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47039024234834,"sku":"","price":1500.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/238E664E-EE56-42AC-95B1-E907D14E0B60.png?v=1695392897"},{"product_id":"rone-jude-nausea","title":"RONE JUDE: NAUSEA","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eNausea\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e—taken from the title of Sartre’s 1938 existential novel—is a body of photographs that registers the interiors of public schools in Baton Rouge, Louisiana and Atlanta, Georgia from 1990-92 by American photographer Ron Jude. Departing from mere documentation, Jude lures us into peering through windows, doorways and crevices of walls into empty classrooms and corridors, as we become increasingly conscious of the perils of our own gaze and the uncertainty of looking. \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eNausea\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e established the building blocks for the next twenty-five years of Jude’s photographic output, including \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eOther Nature, Alpine Star, Lick Creek Line\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003ca href=\"https:\/\/mackbooks.co.uk\/products\/lago-br-ron-jude\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/mackbooks.co.uk\/products\/lago-br-ron-jude\"\u003e\u003cem data-mce-fragment=\"1\"\u003eLago\u003c\/em\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt the heart of \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eNausea\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e lies the premise that philosophical inquiry might be filtered and consumed through photographs, just as it is filtered through Sartre’s work of literary fiction. Taking as his subject the banality of institutional learning, the monotonous spaces and objects captured in \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eNausea\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e serve as a platform for exploring the nexus between the narrative limitations of photography and consciousness. Employing a distinctive visual language, marked by an acute sense of colour, radical framing and shallow focus, Jude created a world both familiar and uncanny, imbued with a pervasive sense of unease.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo mark the 25th anniversary of the inaugural exhibition of \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eNausea\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e in 1992 at The Photographers’ Gallery in London, Jude has made an entirely new edit of this work. Many of the photographs in this volume have never before been published or exhibited.\u003c\/span\u003e\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47039037604178,"sku":"","price":600.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/437A4451-F7EF-48C7-95F7-B9A7280CC35D.png?v=1695393183"},{"product_id":"andrea-diefenbach-realitatea","title":"ANDREA DIEFENBACH: REALITATEA","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAndrea Diefenbach’s images from the rural regions of the Republic of Moldova are a journey through time to a place that has been in an identity crisis since its independence 30 years ago. This visual survey is already her second book about the country torn between the EU and Russia, stagnation and progress, corruption and the rule of law. Her calm, at times whimsical observations demonstrate great empathy for Moldova and its people’s way of living. In their tranquility, the images adapt to the tempo of Moldovan everyday life, which oscillates between upheaval and stagnation. »Realitatea« not only gathers photographic vignettes from a country in a state of limbo, but also contextualizes them within the political events of the past ten years through facsimiles of Moldovan newspapers and analytical texts.\u003c\/span\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47039055921490,"sku":"","price":1000.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_0d210e65-e74e-4abf-bb61-1a8e7bd58a88.png?v=1695393428"},{"product_id":"bruce-gilden-hey-mister-throw-me-some-beads","title":"BRUCE GILDEN: HEY MISTER THROW ME SOME BEADS","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\"Hey Mister, throw me some beads!\" is a phrase that is iconic in New Orleans Mardi Gras street argot.\u003c\/p\u003e\n\u003cp\u003eStrings of beads, doubloons, and other trinkets are passed out or thrown from the floats in the Mardi Gras parades to spectators lining the streets. In 1974, Bruce Gilden was a young photographer when he first went down to Mardi Gras to shoot his first personal essay away from his home city New York. But when Gilden first stepped foot in New Orleans, he found himself in \"a pagan dream where you can be what you want to be.\" So Gilden became a regular, making seven trips down to the mayhem of Bourbon Street between 1974 and 1982.\u003c\/p\u003e\n\u003cp\u003eThe energy, the mentality, social \/ cultural mores of Mardi Gras were all new for Gilden, but he captured the carnival crowds with the same raw intensity and poignancy that characterize his most iconic New York street photographs.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47039117230418,"sku":"","price":600.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/E94D44A9-8933-447E-A040-0C0AB112F8C0.png?v=1695394606"},{"product_id":"dmitry-markov-russia","title":"DMITRY MARKOV: RUSSIA²","description":"This book is the first for Markov in five years. The photographer explained: “This year’s events raise the disturbing thought that ‘free access’ is fragile and depends on the political agenda. Of course, the likelihood of blocking Instagram is small, but such a scenario cannot be completely ruled out. In this regard, I would like to preserve the long-term photo archive in a reliable, analog format. ”\u003cbr\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47045469241682,"sku":"","price":3500.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/EB76F9CC-395B-4B19-BD13-D89BC31BDACF.png?v=1695549492"},{"product_id":"pablo-e-piovano-the-human-costof-agrotoxins","title":"PABLO E. PIOVANO: THE HUMAN COSTOF AGROTOXINS","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1996 the Argentinian government approved, only relying on studies of the Monsanto Company, the cultivation of transgenic soybeans and the use of glyphosate herbicide spray, which was employed on resistant genetically-modified crops. With nearly two decades of glyphosate spraying affecting directly or indirectly one third of the country’s population, Argentina has become a field study in toxic disaster with hundreds of scientific studies and medical surveys confirming the herbicide’s lethal impact: Pediatric cancer cases have tripled, miscarriages, and unexplained birth defects have dramatically increased. Respiratory and skin disorders, mental disabilities and spontaneous abortions are just a few of the documented health effects on those living directly in the spray’s path. Despite this inconvenient truth, there has not been any official systematized information.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Human Cost of Agrotoxins \/ El Costo Humano de los Agrotóxicos\u003c\/em\u003e documents the impact of 20 years of indiscriminate use of agrochemicals in the rural northeast of Argentina, and the devastating impact of the people and their environment.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePablo E. Piovano (b. 1981) is a photojournalist and multi-scholarship winner based in Buenos Aires, Argentina. He has been a staff photographer for the Página \/ 12 newspaper in Buenos Aires since the age of 18.\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47048737063250,"sku":"","price":900.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/F702326F-AE41-4CC6-BDFC-F41EF0755841.png?v=1695628601"},{"product_id":"rene-burri-brasilia","title":"RENE BURRI: BRASILIA","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBrasilia, capital of Brazil, was inaugurated on April 21, 1960. The city was planned and built during 1956–1960, drawing upon the greatest minds the nation had to offer in terms of architecture, planning, landscaping, and construction: names like Oscar Niemeyer, Lúcio Costa, and Roberto Burle Marx.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSwiss photographer \u003ca href=\"https:\/\/www.magnumphotos.com\/photographer\/rene-burri\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.magnumphotos.com\/photographer\/rene-burri\/\"\u003eRené Burri\u003c\/a\u003e had been capturing subjects as diverse as Le Corbusier’s work, Picasso in his home, and Argentine gauchos when he found himself flying to Brazil to document the city as it rose from the ground with astonishing pace. He photographed the area from its earliest days as a near-untouched wilderness, through months of gargantuan construction, and documented its completion and revelation as a treasure of modernist architecture and a focal point for Brazilian optimism. As Arthur Ruegg, professor in architecture and construction, wrote in his essay ‘Rene Burri’s Journeys to Brasilia’, “Scarcely any other twentieth-century monument is more spectacular and more photogenic.”\u003c\/p\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47048827273554,"sku":"","price":1400.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_6c387ece-4c3c-4171-9d31-2da2179e7377.png?v=1695629696"},{"product_id":"the-polaroid-project","title":"THE POLAROID PROJECT","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1943 the American inventor and scientist Edwin H. Land was asked by his daughter why she couldn’t see immediately the photograph he had just taken. Within an hour, Land had conceived of the technology required to make this seemingly impossible demand a reality. So begins the story of Polaroid instant photography, an invention that revolutionized the taking and making of pictures. But Land’s creation was more than a groundbreaking scientific accomplishment; it also heralded an exciting new chapter of artistic expression. Through the efforts of thousands of photographers the world over, as well as the corporation’s own artist support programme, which provided many with materials, Polaroid would help shape the artistic landscape of the late twentieth century – and, indeed, up to the present day.\u003c\/span\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47048853684562,"sku":"","price":800.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/68CE47AA-3281-437C-B87D-991687D224E0.png?v=1695630027"},{"product_id":"sakiko-nomura-fate-in-spring-signed","title":"SAKIKO NOMURA: FATE IN SPRING (signed)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eABOUT:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA hint of death in the air…\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSakiko Nomura’s photos in “Fate in Spring” are fading, fleeting, sometimes accusing. Each image appears like a further subtle punch. Nomura created this book following the death of her grandmother. In thought, she revisits nostalgic feelings towards the friends who have already passed on; in design, the book resembles a sutra book with Buddhist prayers for the dead. Despite the dark, contemplative mood, Nomura injects life, excitement, even eroticism into her meditative series. A strong, straightforward visual musing on life and its passing.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eBook Size: 369 × 128 mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ePages: 108 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eBinding: Hardcover\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ePublication Year: 2020\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eLimited Edition: 850\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Photobookpoint","offers":[{"title":"Default Title","offer_id":47053092127058,"sku":"","price":1500.0,"currency_code":"CZK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/4018\/4146\/files\/Untitleddesign_cd4861b7-9e32-4fef-9337-96fb29cac98e.png?v=1695713601"},{"product_id":"thomas-dworzak-khidi-the-bridge-signed","title":"THOMAS DWORZAK: KHIDI - THE BRIDGE (signed)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThomas Dworzak spent almost a decade between 2004-2013 following the Georgian military as it fought in the wars in Iraq and Afghanistan. His new book “Khidi” – The Bridge, shows his photos as a feature movie script, written by Dutch writers and directors Ineke Smits and Jeroen Stout. It follows a fictional unit as it defends a bridge from insurgents “in a war that maybe isn’t theirs.” The book’s release, unintentionally, coincided with America’s much-debated withdrawal from the country, closing a chapter of US intervention in the region.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThomas Dworzak was born in 1972 in Cham, the town where “Die Brücke” was filmed in 1958. He lives, on and off, in Tbilisi and has travelled the Caucasus, Afghanistan and Iraq since 1991.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFilmmaker Ineke Smits and radio-maker Jeroen Stout write, direct and produce international award winning films and audio productions, and collaborate on multi-media projects. Their work can be seen and heard on public broadcasters and is distributed in cinemas and at international festivals. 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It started in Melnitchenko’s hometown, but now his students are all over Ukraine and even abroad. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“When I got the idea for the school,” Sergey says, “I wanted to work on expanding imaginations and the understanding of contemporary photography among photographers, colleagues, and students. I was looking for professional growth and communication. And we’ve done a lot in the four years MYPH has been around: in addition to the teaching itself, we’ve organized or participated in more than twenty projects (exhibitions, festivals, markets, etc.) in Ukraine, Poland, Italy, France, Austria, and South Korea. 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