White Noise explores photography as a process of accumulation shaped by the deliberate rejection of traditional rules. Each black-and-white image becomes a minimal visual unit that gains meaning through pairing, sequencing and composition. Through diptychs, triptychs and evolving structures, the project transforms instinctive image-making into a personal visual grammar. The book reveals a methodology rather than a narrative, inviting readers to observe beauty in imperfection and to construct their own systems of seeing, reading and interpreting images.
