During the 2020 pandemic-imposed lockdown and subsequent loss of his job bordering a paralysed music industry, Kim Thue grabbed the rarely presented opportunity away from everyday distractions to re-engage with his otherwise neglected photography. Drawers full of previously unseen negatives and contact sheets generated from extensive travels from his home in London to far flung corners of China, Iceland, Spain and Sierra Leone had become an unresolved issue sitting in stalemate at the back of his mind for years. Feeling the need to confront and draw a line under the existing work to move forward, Thue took a deep dive from an unregimented platform, undergoing an editing process that was intuitive, personal and experimental in nature. The result of his efforts is the gritty, multi-layered collection of works now defined as the photographer’s astounding second monograph, Lode.
